Thursday 12 January 2012

Risk Assessment


As my role as Floor Manager, it is in my job description to carry out a risk assessment to ensure that full safety is in order during the live show on set. During the risk assessment, I have to identify any hazards which are possible in the studio and then identify the risks possible within the hazard then find a way to prevent this risk or lower the risk state to a safety standard.


PRODUCTION RISK ASSESSMENT FORM
PRODUCTION TITLE: Alcohol Awareness News Pakage
                                     
PRODUCTION NO:                               1                     
Production Office Phone: 0800 068 8585
STUDIO DATES: 10/01/2012
FILMING/OB DATES: 10/01/2012
STUDIO ADDRESS:

Fielden Campus
Barlow Moor Road West Didsbury
Manchester M20 2P

LOCATION ADDRESS:

Fielden Campus
Barlow Moor Road West Didsbury
Manchester M20 2PQ














Unit Manager:  Imogen Howkins
Office Phone:  N/A
Mobile: N/A
                                                                                   
                                                                                   
Live broadcast of 8 music bands performing. In the intervals of the bands rigging up and then de-rigging, we will hold interviews the the next oncoming band. The whole production will last around 1 hour and 30 minutes.








Hazard Checklist



Tick


Tick


Tick
1
Access/egress blocked/restricted

18
Hazardous substances: chemicals/dust/
fumes/poisons/asbestos/battery acid etc./
waste disposal

35
Scenic/set materials - not fire retardant/
toxicity tested

2
Alcoholic drinks/hospitality

19
Heat/cold, extreme weather climate

36
Scenery manual handling difficulties

3
Animals/insects (wild, performing etc.)


20
Heavy loads on studio floor/rostra

37
Scenic materials: glass/polystyrene

4
Any special prop, tool etc., under the direct control of the presenter, artist etc.

21
L.P.G./bottled gases

38
Smoking on set/studio
5
Audience safety/public/crowds/violence/
civil unrest

22
Lasers/other bright lights/strobes

39
Special ‘flying’/technical rigs

6
Compressed gas/cryogenics/low temperature

23
Lifting equipment, e.g. forklift
LOLER

40
Special needs/children/elderly/disabled

7
Confined space/ tanks/mines/caves/
tunnels

24
Live electrical equipment
41
Special visual effects: rain/snow/fire/
smoke/steam/dry ice/heat

8
Derelict buildings/dangerous structures/
isolation of services/waste control

25
Machinery proximity

42
Scenery/props storage on premises

9
Diving operations

26
Night operations

43
Stunts/dangerous activities/hazardous props

10
Explosives, pyrotechnics, fireworks

27
Noise/high sound levels

44
Technocrane/camera cables/camera
movement/special cable runs/scanners
11
Falling objects
28
Portable tools above 110v


45
Vehicles/motorcycles/speed

12
Fatigue/long hours/physical exertion/stress
29
Practical flame/fires/flambeaux


46
Water/proximity to water/tanks

13
Fire Prevention/Evacuation Procedures
30
Radiation - sources/equipment etc.


47
Weapons/knives/firearms

14
First Aid/Medical Requirements
31
Recording/shooting outside of LWT studios/OBs/PSC

48
Work at height: zip-up/ladders/talascope etc.

15
Flammable materials: painting/spraying
needed

32
Risk of infection


49
Working on grid/ ‘truss’ etc.

16
Flying/aircraft/balloons/parachutes

33
Scaffolds/rostra/decking/platforms/
practical staircase/walkways on set


50
Working/storage under seating

17
Freelance crews, scenic ops

34
Scenery/flats over 12 ft x 10 ft/non-standard shape/centre of gravity.  Flown from grid

51
Other

·     Identify which hazards are involved in the production and tick the appropriate box above.
·     State overleaf whether risks associated with each identified hazard is either high, medium or low.
·     Specify control measures to be adopted to reduce risk state to an acceptable level, and state the resulting risk factor.
·     Inform those persons exposed to any risk of the control measures to be adopted.
·     The form must be signed by the originator and the producer, and copied to:
Unit manager

 

Crew / Cast

 

Head of Production



HODs

H&S Advisor



Hazard Number
+
Identity of
Persons Exposed
MAIN RISKS IDENTIFIED  (Describe risks and state if considered to be high (H), medium (M) or  low (L) before any controls are introduced.
EXISTING & ADDITIONAL CONTROLS TO MANAGE RISKS
Include names of experts or contractors to be used. Indicate the risk state after control initiatives are introduced.(H/M/L)
Specify who is to ensure the measures are implemented and that they are effective.
Final risk level is acceptable

1 + 13 – S + P

Risk could be fire exits could be blocked with equipment and this could be a High risk if there is a fire.
In the institute we have a health and safety officer present at all times which will be able to control these risks from happening using CCTV. With the health and safety officer present I would consider the risk to be a Low risk

12 – S + P

I would consider this risk to be a Medium because this could potentially harm people involved and it could cause interruption in the broadcast.
To control this risk I would recommend regular breaks, this may not prevent this but will help to control it and the risk state after I would give a low risk

44 - S

This risk is a High because trailing cables can lead to people tripping over the cable and also damaging the camera equipment.
To help prevent the risks involved, I would use cable tidy’s and cables mats to keep all cables on the floor and out of the way to cause these potential hazards, the risk state after would be Low

27 – S + P

I could give the risk state a medium. The main risks involved are earring damage and sound travelling to other rooms.                                                            
To prevent this, earplugs could be given out to the staff to stop earring damage and soundproof could be used around the room to stop the sound travelling, the risk state after would be a Low or none at all

24 – S + P

This is a High risk because exposure to live electric could cause death if electrocuted and also could damage other electric equipment or wiring around the studio.
To prevent this I would ask the healthy and safety officer to check the equipment beforehand if nothing will blow any electrical fuses and make sure all the equipment is safe and is not exposed to anybody, the risk state after would still be a Medium so signs and notices will be put up to make everybody involved aware.












State whether persons ‘at risk’ are: Staff(S), Freelance(F), Contractor(C), Performer/Presenter(P), Public(U)
If necessary, continue on extra sheets
NUMBER OF ADDITIONAL SHEETS  ATTACHED
COMPLETED BY: (print) Luke Talbot                                                                     POSITION: Floor Manager

SIGNATURE:                                               DATE:

I am satisfied that the above constitutes a proper and adequate risk assessment in respect of this production. If any changes are made, the risk assessment will be reviewed.
PRODUCER:(print name) Imogen Howkins                               

                                                                                                    SIGNATURE:                                                                              DATE:



































































































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